Tamil Hot Aunty Photos Biography
Source(google.com.pk)What comes later tamil hot movie video is total high tech action! When all the niceties are over, Arya gets duped into Ajith's plan of hacking one system after another - beginning with the flash network. Hacking people down at each step, Ajith gets closer to his ultimate goal. But all that comes to a sudden stop when he gets arrested by the police, as a result of Arya's smart and secretive complaint. With each passing frame, there is more action than you can ask for. Before revealing the motive behind each casting, the first half comes to an end with a classic action sequence. It is after Ashok's arrest that the real story unfolds, in the second half.
Simple, elegant and class but richly crafted to keep you tuned to the screen - 'Arrambam' is an interesting story in a gripping screenplay. There has been ample hype about this movie, especially after the edge-of-the-seat partnership that Ajith and director Vishnuvardhan shared in their earlier outing 'Billa'. In an elegant introduction, Thala enters the screen with a boom - well, quite literally.
Ashok (Ajith) is wanted by the police for three blasts in the hub of Mumbai. Spreading the typical Mumbai mood in Tamil style, Thala dances to his introduction song in all vigour. Meanwhile, college alumni Arjun (Arya) and Maya (Nayanthara) encounter each other on a business trip and travel down the memory lane. While there is not much to remark about Nayan's flashback to be amiss from her trademark glamorous beauty, Arya's college boy look is a serious set back. The flashback describes how Arya managed to impress the bubbly reporter Anita (Taapsee).
What comes later is total high tech action! When all the niceties are over, Arya gets duped into Ajith's plan of hacking one system after another - beginning with the flash network. Hacking people down at each step, Ajith gets closer to his ultimate goal. But all that comes to a sudden stop when he gets arrested by the police, as a result of Arya's smart and secretive complaint. With each passing frame, there is more action than you can ask for. Before revealing the motive behind each casting, the first half comes to an end with a classic action sequence. It is after Ashok's arrest that the real story unfolds, in the second half.
After the interval comes the real twist. If you thought the first half was impressive, the second is full of adrenaline with class action back to back. It is in the second half that you should watch out for the much awaited car action sequence. The story takes a new avatar in impeccable screenplay in exotic locations. The film as a whole boldly involves a lot of aspects of the country's everyday affairs which is considered delicate to speak frankly. Vishnuvaradhan scores high on this regard that he has taken up a delicate issue, offered an uptight solution in completely action-filled entertainer.
To perceive the complicated story that Subha has penned down, and put it on neat and interesting screenplay is quite a task, and Vishnu has added the right amount of salt and pepper to make the film a merry to watch and enjoy. Om Prakash has canned each frame with passion. Every fight sequence appears realistic, and all the nuances and emotions have been captured just in the right light. Differences in screen setting and lighting have been taken utmost care to convey the right emotion, not just through the carefully worded dialogues, but also visually.
Ajith has done a truly great job in the movie - more than a hero (or anti-hero, as he is cast), he has performed as the typical character that Subha and Vishnuvardhan have conceived. Carrying himself at ease in the contradicting roles he plays in both the halves of the film, Ajith proves his worth once again as an excellent actor. Nayanthara who comes around as his ally has added the right amount spice wherever required. The actress seems to have distinctly matured from her 'Billa' days, though.
The romance that Arya and Taapsee share is cute, bubbly and keeps the movie going forward on a lighthearted note. Though Rana Dagubatti and Kishore are cast on brief roles, their characters are pivotal and support the crux of the story strongly. Cohesion and continuity is edgy and distinctly better only as the film progresses. Srikar Prasad has however done a commendable job in putting the pieces of action together into thorough entertainment. Background score adds volume to the story, supporting it substantially well.
In all regards, the second half is exceptionally good. 'Arrambam' is about making the wrong, right and making it look simple, despite the weight and weightage the story carries. By all means, the film is truly a class apart, with the same style and mass of Thala. So here's wishing everyone a blast of a 'Thala' Diwali, the classic Ajith way!
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Three friends, two beautiful girls and the story around them all - after the romantic thriller 'Vaamanan', director Mueenuddin Ahmed is back after four years with a romantic entertainer. Starring Jiiva, Vinay, Santhanam, Trisha and Andrea, 'Endrendrum Punnagai' sets out to be a rich tale of romance crafted partly in India and partly in Europe. There's love, romance, comedy, fun, realistic emotions and a story in between, that club to make the tale of smiles.
Gautam, Shri and Baby are thick friends from childhood. The three are practically inseparable in whatever they do, and they grow up together to grow a future in ad films B grade through their own venture. Even though everyone around them gets married and settles down, these three vow never to get into the rut, given Gautam's hatred towards girls and his disbelief in the concept of love. Further to Gautam's steadfast ego, he hasn't spoken to his father, an artiste, for 15 years straight, after his second marriage, as his first wife abandons the family. Priya is an employee of ad film maker Sunny and Sonia is an international top model. The three friends get an offer from Sunny, and Sonia is signed in for the advertisement. Sonia, who is impressed by Gautam's professionalism and standalone character, tends to fall for him. But Gautam takes his attitude to Sonia too, making it clear that he is not made for love. Gautam's buddies who stand for him that day, change one fine day when everything falls apart. Do they come back to the one big happy once again? Why did things go haywire? Does Gautam let go of his ego? The second half of 'Endrendrum Punnagai' answers all these questions.
Jiiva plays the adamant Gautam, Nassar his father, and Vinay as Shri and Santhanam as Baby; Trisha plays Priya and Andrea plays Sonia. Nassar is an award winning painter, who uses colours for only the portions which he dreams to be true. Vinay and Santhanam in the roles of true friends of the highest order of sincerity throw up enjoyable comedy scenes in association with Jiiva in the first half. But their sudden separation is abrupt on screen play. A non believer in love, Jiiva as Gautam takes his beauty time to finally understand the concept and go with it; unfortunately, that long a time is way too long for people who are in agreement with the existence of emotions such as love. Gautam's rift with his dad seems like another patch which could have been worked out a little better. Priya (Trisha) is confident of her friendship with the foreign settled Karthik, but it is surprising that she agrees to marry him as per her family's wish. Andrea features in roughly about three scenes and a song, and then leaves the screen abruptly.
Jiiva has done his role convincingly well as the man who sticks to his wishes, until the day which forces him to change. Places where the friends trio have fun make up for entertaining comedy. Trisha is not the typical girly girl, always lost in high dreams. Her character, in acceptance of the reality as is where is, without much whining and waste of time is worth appreciation. Although her screen presence is brief, Andrea's role makes for a turning point in the love story, which the actress has performed very good at. Jegan's presence is comically entertaining only when he enters the screen, but falls quite flat, without much importance to him in the later scenes. Vinay has played both a happy and an emotionally sincere friend. Santhanam's also compliments the scenes well, making for a supporting and understanding friend. Nassar is more of a buddy than parent, as he moves freely and at par with Vinay and Santhanam, who he treats like his own children. With the positives in place, the film is a clean and action-free entertainer.
Sakthi's camera has worked magic, especially in the snowy terrains. However, costume designing seems to have taken a hit,.especially in the case of Andrea's. Make up is simple, but it could've been better too, concealing the fundamental drawbacks that differentiates a star or dream character from an ordinary person. While Santhanam's comedy entertains in the first half, it utterly disappoints in the latter half. As for Vinay, his screen presence is also limited to the former half and climax, that is until he gets married. The story is fairly predictable at almost every frame, after the friends separate. In some places, there are dialogues that are unnecessarily long or winding. Harris's music is refreshing at places but sounds repetitive over the many frames.
Forget the apparent anomalies, 'Endrendrum Punnagai' is a comic entertainer in parts. But it is not just about happiness, it is also about a lot of underlying emotions that cage smiles inside the soul. With a story behind everyone in the background and a lot of fun uniting the jigsaw pieces in the foreground, covering up all the sorrow as though it is a hassle-free life, the film is a different outlook on love and friendship. 'Endrendrum Punnagai', as aptly titled, is a story that urges to unlock the happiness behind our ego, and a film worth investing your time on.
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